Point and Shoot
Fighters raising their arms and dancing in a crowded room

Press

The Hollywood Reporter
“A gripping non-fiction thriller. Riveting… suspenseful, densely edited… an extraordinary and quietly disturbing film.”— David Rooney
The Boston Globe
“Brilliantly constructed and provocative film.”— Peter Keough
Indiewire
Grade: A “The tale told in Point and Shoot is a virtual swashbuckler… a subtle, but nonetheless eloquent critique not just of one man’s compulsions, but a culture’s.”— John Anderson
The Guardian
“A dizzyingly brilliant work.”— Tom Howells
Los Angeles Times
“Potent… An eye-opening tale… allowing viewers access not only to the mind of a revolutionary but of a revolution…”— Steven Zeitchik
The Washington Post
“Absorbing, ingeniously crafted documentary… an invaluable street-level glimpse of the realities of war.”— Ann Hornaday
Salon.com
“Director Marshall Curry’s phenomenal documentary… is an exciting, worthwhile journey full of harrowing escapes and escapades.”— Gary M. Kramer
Variety
“Editing is a standout, and Curry’s adept management and packaging of a wealth of material always impresses.”— Jay Weissberg
Philadelphia City Paper
Grade: A “Curry succeeds in digging past that surface flash to ask the complex ‘why?’ questions we all want answered.”— Drew Lazor
The Daily Beast
“Spellbinding… addresses such compelling issues as the impact of the camera on human behavior and identity.”— Lloyd Grove
NONFICS
“A breathless, expertly woven compilation of the almost unbelievable life.”— Daniel Walber
Metro
“A rollicking ride… a jaw-dropping story.”— Matt Prigge
Cut Print Film
“Transformative in every sense of the word, a strangely inspiring tale that will leave you wanting to discuss it for hours.”— David Costill
Movie Nation
“In a cinema recently overrun with combat documentaries, Marshall Curry’s Point and Shoot manages a first.”— Roger Moore
National Post
“Oscar-nominated documentarian Marshall Curry takes storytelling to the next level.”— Chris Knight
The Globe and Mail
“Tremendously gripping and thought-provoking.”— Brad Wheeler
BOMB Magazine
“It’s a remarkable story, and Curry has made a remarkable film.”— Gary M. Kramer
Indiewood
“…resonated with me long after I left the theater.”— Stephen Reilly
BuzzFeed
“A film that raises fascinating questions about the idea of performance, toughness, and belonging.”— Alison Willmore
Washington City Paper
“Point and Shoot…is more than compelling.”— Christina Cauterucci
Roboapocalypse
“A compelling story that unfolds like a thriller… It is a multi-dimensional portrait of a unique man, it is a powerful story of war, and it is an important historical document.”— Joshua Handler
Washingtonian
“Point and Shoot is… at its heart, a wild and dangerous coming-of-age tale… an expertly constructed bildungsroman… Curry has crafted an incredible tale of growth and transformation that is at once global and intensely personal.”— Michael Gaynor
Film International
“The incredible documentary Point and Shoot… asks quite boldly: Can we become the idealized image we had of ourselves? The answers as Matthew discovers and filmmaker Marshall Curry reveals are both staggering and thought-provoking.”— Gary M. Kramer
Maclean’s
“Curry turns Point and Shoot from merely a gripping, taut bildungsroman into a smart treatise on the preening fabrications of society today– Instagram and Snapchat turning us all into photographers and filmmakers, telling stories about ourselves as we see ourselves living them.”— Adrian Lee
Tribeca Film Festival
“An unsettlingly ambivalent and often darkly amusing portrait of a generation hellbent on documenting itself.”— World Documentary Jury
Movies.com
“Some of the most powerful footage you’ll see all year.”— Christopher Campbell
Vulture.com
“Director Marshall Curry makes movies about seemingly small stories that turn out to be bigger stories… VanDyke makes a fascinating guide to his own adventures.”— Bilge Ebiri
Paste Magazine
“A film that would seriously challenge anything Hollywood could come up with.”— Tim Basham

Awards

Press Photos

Point and Shoot poster
A man crouching in a prison cell covered in scratched Arabic writing A motorcycle kicking up dust in the desert A man aiming a rifle beside a bright window A fighter walking through a ruined hall